Considered one of Lokesh Kanagaraj’s discernable qualities as a storyteller is the self-discipline with which he approaches a topic. And that self-discipline is conspicuous by its absence in Grasp. Grasp is neither a nail-biter like Maanagaram nor a pacy thriller like Kaithi.
Lokesh had promised a Vijay movie which might be very totally different from motion pictures that Vijay normally does. Did he ship on his promise? Sure. Grasp is essentially the most enjoyable, wise, pleasing and good wanting film that Vijay has achieved in a very long time. Did I point out wise?
After an extended hole, Vijay has performed, if you’ll, a nuanced character with qualities that don’t adjust to the definition of a “full man”. JD, which is brief for John Durairaj (Vijay), is an unruly professor at a well-liked school in Chennai. He’s adored by college students, and that makes him enemy no 1 of the outdated guard within the administration. He’s a professor of psychology, who teaches focus as a topic. A high quality that he lacks in his life. His best flaw is he has no focus, and he doesn’t pay heed to what folks inform him. He hears however by no means listens. He doesn’t do what he preaches. Say, he’s a hypocrite. He’s deeply flawed. And that’s what makes Grasp stand out from current Vijay motion pictures.
JD doesn’t take himself too severely. And his first response to any downside will not be violence. I don’t recall a film the place Vijay performed a personality that didn’t consider no downside was too advanced that couldn’t be solved with the fist. When a cop on the juvenile jail provides JD a possibility to take out his anger on unruly inmates who’ve triggered him irreplaceable loss, he refuses. And questions the position of the cops, the system, and the society in turning younger folks into hardened criminals. In every other Vijay film, his character would have first thrashed these boys earlier than giving them an ethical lesson. One other high quality of JD is that he doesn’t waste time debating proper and incorrect with folks he intends to harm. That’s so un-Vijay.
So, sure, Lokesh has given us a distinct Vijay film as he promised.
Lokesh Kanagaraj, who has co-written the movie with Rathna Kumar and Pon Parthibhan, additionally is aware of by coronary heart the most effective strikes of Vijay. And he has equipped a beneficiant quantity of moments that might meet the approval of hardcore Vijay followers. There are even moments that act as a throwback to Vijay’s earlier motion pictures. For instance, the kabaddi scene in jail hat-tips Vijay’s Ghilli. Within the means of doing this, Lokesh loses his aggressive edge.
However, there are some redeeming concepts within the movie that reveals Lokesh’s actual expertise as a storyteller. Particularly, the best way he has written his hero and the antagonist. Vijay Sethupathi’s Bhavani and JD have extra issues in widespread than they know. In truth, they’re two sides of the identical coin. Even a few of their mannerisms match. Bhavani is aware of that the world is a tousled place and he unapologetically and mercilessly exploits it for his survival. However, JD chooses to disregard the messy world by drowning himself in alcohol and rock music. And the best way Lokesh portrays the side-effects of heavy consuming by Vijay’s character is intelligent.
That mentioned, Grasp is neither fully a Vijay movie nor solely a Lokesh Kanagaraj movie. Lokesh’s self-imposed limitations and obligation to be in fan-service undermine the movie’s influence. He has used so many good skills as simply fillers and wasted sources on concepts that don’t take the story ahead. And, these will not be the qualities of Lokesh who made Maanagaram and Kaithi.